apos;
s Picture with an Archer (1909), August Macke&
apos;
s Lady in a Park (1914), and Franz Marc&
apos;
s The World Cow (1913) reveal varying subjects, but all channel distorted perspectives, crude lines, and an emphatic, expressionist use of color. The Blaue Reiter was abruptly truncated by the onset of the First World War, which killed two of its leading artists, along with growing dissent between the group&
apos;
s protagonists. This book reveals the movement&
apos;
s remarkable influence despite its brevity, presenting key works, artists, and their reverberating effects.